| Chapter I: Music Teacher Training |
SuperVision and Observation with HyperCard .
Milton Schimke |
| Chapter II: Curricula in Music Technology |
Developing a Pedagogy of Music
Technology.
Judith Bowman |
"Music Technology
101": Designing a Basic Course for the Undergraduate
Music Curriculum.
Peter Webster |
Technology Standards in
College Music Degrees: (1) A Model Curriculum and (2)
Issues in Implementing the Curriculum.
Jack Taylor and John Deal |
Summary of Panel Discussion:
What Should We be Doing?
Judith Bowman, John Deal, Jack Taylor, Kimberly
Walls, and Peter Webster |
| Chapter III: Applications of Distance Learning |
Using the Internet as a
Pedagogical Tool.
Robert Clifford |
Distance Education for
Delivery and Enhancement of Classroom Instruction.
Katherine Baker |
Concerts for Children via
Distance Learning.
Jana Fallin |
Teaching Conducting Long
Distance.
Allen Henderson |
A Preliminary Evaluation of
the University of Northern Iowa's Master of Music Program
in Music Education on the Iowa Communications Network.
Fred Rees |
| Chapter IV: Aural Skills |
The Use of Computer-Assisted
Tutorials to Develop Aural Concepts in Music Courses.
Ernest Woodruff and Phillip Heeler |
A Program to Teach Sight
Singing.
Lloyd A. Smith and Rodger J. McNab |
| Chapter V: Vocal Music |
The Yamaha Disklavier:
Applications for Studio Use.
Allen Henderson |
Utilizing Computer Technology
in the University Private Voice and Instrumental Studio.
Earl Logan |
| Chapter VI: General Music |
A Computer-Controlled Program
of Study with Interactive Videodisc: Instruments of the
Symphony Orchestra.
Robert Placek |
An Examination of the Effects
of Audiation on the Compositional Processes and Products
of Fifth Graders.
Sara Hagan |
| Chapter VII: Instrumental Music |
Visualized Vibrato for Violin and Viola.
Rodney A. Mueller |
Teaching Music Fundamentals
Through Music Technology in Middle School Instrumental
Music Classes.
Kimberly McCord |
Comprehensive Musicianship
Revisited: A Multimedia Approach to the Performance
Ensemble.
Dennis Darling, Andrea Stockseth, and Peter Kowitz |
Music Performance Physiology:
Development of Expertise in a Natural Task: The Right Arm
of Trombone Players.
Mark Kruger, Mark Lammers, Lela June Stoner, and Richard
Fuller |
Physiological Mapping of
Bowing Technique.
William Koehler |
| Chapter VIII: Technology and Music Research |
Reliability of the Continuous
Response Digital Interface.
Dianne Gregory |
A Team Approach to Integrating
Music Psychology and Music Technology.
Donald Hodges, Scott Lipscomb, Sandra Rickett, David
Sebald, and Kimberly Walls |
| Chapter IX: Developing and Evaluation
Applications |
Create Your Own Interactive
Listening Guides: Easy-to-Use Software for Music
Appreciation Instructors.
Scott Lipscomb |
Using Affordable Tools for
Creating Multimedia--QuickTime Video for Integrating
Text, Video, Digital Sounds, and MIDI.
Peter Webster |
Using Affordable Tools for
Creating Multimedia--Using World Wide Web Clients and
HTML to Produce On-line and Off-line Multimedia.
Peter Webster |
Understanding the Science of
Music Through Software Synthesis.
Mark Dal Porto |
Analyzing Music Software: What
to Look For.
Joseph Koob II |