Second International Technological Directions in Music Education ConferenceJanuary 26-28, 1995 h3>
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| Chapter I: Music Teacher Training |
| High Tech, Low Budget. Marc R. Dickey |
| Teacher Knowledge, Cognitive Flexibility and
Hypertext: Case-Based Learning And Teacher Education. Patricia Cunningham |
| Chapter II: Curricula in Music Technology |
| A Curriculum For The Study Of Audio, Video,
Computer, And Electronic Music Technology For
Undergraduate Music Education Majors Based On A Survey
Among Members Of The Florida Music Educators Association. Curtis B. Treadway |
| An Introductory Course In Music Technology
For High School And College Level. Bradley J. Dawson |
| Computer Literacy for Music Educators. C. Floyd Richmond |
| Funding and Teaching New Technologies: A
Student-Centered Approach. Richard F. Rose |
| Chapter III: Networks and Distance Learning |
| Musical Resources on the Internet. Robert Wiley |
| The Use of MUSIC in Applied Music Teaching. Jean Martin |
| Impact NC: Impact on Education: Impact on
Life. Bill McCloud and Elizabeth Rose |
| Chapter IV: Aural Skills |
| A Model for the Effective Use of
Computer-based Instruction for Ear Training. George J. Hess, Jr. |
| An Integrated Computer Curriculum for Music
Ear Training. Paul E. Dworak |
| CASPAR: Aural Skills Software for the
Refinement of Dictation Strategies. Brett Terry and Carlos Maldonado |
| The Usefulness of a Curriculum-based Tutorial
and Testing Program in the Acquisition of Theory Skills at the College Level. J. Brian Post |
| Chapter V: Graphic Analysis |
| CD and Software Links to Develop
Understanding Ears. Ann L. Silverberg |
| The Anatomy of Four Late Mozart Piano
Concertos: A Multimedia Approach. David Sonnenschein |
| Chapter VI: Keyboard |
| Technology in the Piano Lab: A Hands-On
Demonstration. Pam Noble |
| Using Keyboard Ensembles to Enrich and
Develop the Performance of the Young Instrumentalist. Dawn C. Miller and Diane Boyd |
| Using Current Technology to Teach Keyboard
Ensemble Literature. Pauline Riddle |
| Scale Patterns: A Multimedia Computer-Based
Approach to Teaching Scale Fingerings on the Keyboard. Carlos Maldonado and Brett Terry |
| Chapter VII: The National Standards and Technology |
| Technology in Music Education: Brick by
Brick. Barton Polot |
| Implications of Technology on the
Implementation of the National Standards in Music. Stephen P. Barnicle |
| The Music Prime at Carver: Integrating
Dimensions of Learning into a Music Program. Patricia S. Cunningham and Ray Killian |
| Chapter VIII: Vocal Music |
| Using Music Technology in the "Real
World." Scott D. Stanton |
| The College of Eastern Utah Synth Vocal Jazz Ensemble: "Synthetics." |
| Teaching Vocal Anatomy and Function via
Hypercard Technology. Don P. Ester |
| Chapter IX: General Music |
| Using Keyboards in the K through 12 Music
Curriculum: Two Solid Approaches. Dennis Stanfill |
| Using HyperCard to Teach Music Fundamentals. Regena T. Parrish |
| Practice Games for Selected Musical Concepts
in a Level Six Kodaly Curriculum Created in Hypercard
Stacks. Colleen Pinar |
| Everyone Can Participate: Adapting Music
Experiences for Students with Special Needs. Laurie A. Farnan and Faith L. Johnson |
| ¡Vamos a Jugar! Bilingual Cultural Education
with the Aid of Computer-Controlled Synthesizers. Arthur Gottschalk |
| Music for a Lifetime: A Multimedia Text for
Music Appreciation. Patrick Setzer, Alfred Blatter, and Christopher Freitag |
| Chapter X: Instrumental Music |
| A Computer-Based Approach to Teaching and
Learning Complex Rhythms. Bruce Dalby |
| A Multimedia Practice Program for Band
Instruments. Amy Shan-Mei Tseng |
| Rhythm-It's Easy: A Method Book for Teaching
Rhythm, Using 139 Original Duets with Computer Sequencing
Software. R. Gerry Long |
| Computer Generated Music in the Middle School
Orchestra: My Computerized Teaching Assistant. Murilou Chilman |
| The Effect of Electromyographic Feedback on
Achievement in Bowing Technique. William K. Koehler |
| Chapter XI: Technology and Music Research |
| Taxonomic Studies of Tonal Cognition and
Microcomputer Technology. John M. Holahan and T. Clark Saunders |
| Utilizing Quantitative EEG Techniques to
Evaluate Processes Elicited by Music. Daniel C. Miller and Jogn Flohr |
| Measurement Technology for the Elemental
Resource Model. George V. Kondraske and Kris S. Chesky |
| The Music Vibration Table (MVT™):
Quantification of Mozart K. 488 and Pearl Jam Music
Vibration. Kris S. Chesky and George V. Kondraske |
| The Personal Computer as Research Tool and
Music Educator. Scott D. Lipscomb |
| Chapter XII: Developing Applications |
| How to Use MIDI with Digital Music
Technology. Mark Dal Porto |
| Developing Multimedia Applications in
Director 4.0--An Appealing Alternative to Hypercard. David Sebald |
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